Oil On
Canvas, Real Flavor of Old Masters
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Jean-Antoine Watteau
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| 1684-1721 Antoine Watteau Art Locations He is best known for his invention of a new genre, the fete galante, a small easel painting in which elegant people are depicted in conversation or music-making in a secluded parkland setting (see under FETE CHAMPETRE). His particular originality lies in the generally restrained nature of the amorous exchanges of his characters, which are conveyed as much by glance as by gesture, and in his mingling of figures in contemporary dress with others in theatrical costume, thus blurring references to both time and place. Watteau work was widely collected during his lifetime and influenced a number of other painters in the decades following his death, especially in France and England. His drawings were particularly admired. Documented facts about Watteau life are notoriously few, though several friends wrote about him after his death (see Champion). Of over two hundred paintings generally accepted as his work | ||||
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The Music Lesson Jean-Antoine Watteau5.jpg Painting ID:: 473 |
1717 Wallace Collection, London | ||
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Gabriel Metsu
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| 1629-1667 Dutch Gabriel Metsu Galleries One of his earliest pictures is the "Lazarus" at the Strassburg Museum, painted under the influence of Jan Steen. In 1653 under the influence of Rembrandt he painted "Woman taken in Adultery," a large picture which is now in the Louvre. To the same period belong the "Departure of Hagar," formerly in the Thore collection, and the "Widow's Mite" at the Schwerin Gallery. But he probably observed that sacred art was ill suited to his temper, or he found the field too strongly occupied, and turned to other subjects for which he was better fitted. That at one time he was deeply impressed by the vivacity and bold technique of Frans Hals can be gathered from Lord Lonsdale's picture of "Women at a Fishmonger's Shop." What Metsu undertook and carried out from the first with surprising success was the low life of the market and tavern, contrasted, with wonderful versatility, by incidents of high life and the drawing-room. In no single instance do the artistic lessons of Rembrandt appear to have been lost upon him. The same principles of light and shade which had marked his schoolwork in the "Woman taken in Adultery" were applied to subjects of quite a different kind. A group in a drawing-room, a series of groups in the market-place, or a single figure in the gloom of a tavern or parlour, was treated with the utmost felicity by fit concentration and gradation of light, a warm flush of tone pervading every part, and, with that, the study of texture in stuffs was carried as far as it had been by Ter Borch or Gerard Dou, if not with the finish or the brio of De Hooch. One of the best pictures of Metsu's manhood is the "Market-place of Amsterdam," at the Louvre, respecting which it is difficult to distribute praise in fair proportions, so excellent are the various parts, the characteristic movement and action of the dramatis personae, the selection of faces, the expression and the gesture, and the texture of the things depicted. Equally fine, though earlier, are the "Sportsman" (dated 1661) and the "Tavern" (also 1661) at the Hague and Dresden Museums, and the "Game-Dealer's Shop," also at Dresden, with the painter's signature and 1662. Gabriel Metsu, Man Writing a Letter (1662-1665), Oil on canvas, National Gallery of Ireland, DublinAmong the five examples of the painter in the Wallace Collection, are "The Tabby Cat," and "The Sleeping Sportsman," which cost Lord Hertford £ 3000, is an admirable example technically considered. Among his finest representations of home life are the "Repast" at the Hermitage in St Petersburg; the "Mother nursing her Sick Child" in the Rijksmuseum in Amsterdam; the "Amateur Musicians" at the Hague Gallery; the "Duet" and the "Music Lesson" at the National Gallery, London, and many more examples at nearly all the leading European galleries. Five of his painting are in Dresden, collected by August the Strong. | ||||
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The Music Lesson Gabriel Metsu2.jpg Painting ID:: 2876 |
c1658 National Gallery, London | ||
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Jean Honore Fragonard
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| 1732-1806 French Jean Honore Fragonard Locations French painter. He studied with François Boucher in Paris c. 1749. He subsequently won a Prix de Rome, and while in Italy (1756 ?C 61) he traveled extensively and executed many sketches of the countryside, especially the gardens at the Villa d Este at Tivoli, and developed a great admiration for the work of Giovanni Battista Tiepolo. In 1765 his large historical painting Coresus Sacrifices Himself to Save Callirhoë was purchased for Louis XV and won Fragonard election to the French Royal Academy. He soon abandoned this style to concentrate on landscapes in the manner of Jacob van Ruisdael, portraits, and the decorative, erotic outdoor party scenes for which he became famous (e.g., The Swing, c. 1766). The gentle hedonism of such party scenes epitomized the Rococo style. Although the greater part of his active life was passed during the Neoclassical period, he continued to paint in a Rococo idiom until shortly before the French Revolution, when he lost his patrons and livelihood. | ||||
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The Music Lesson new9/Jean Honore Fragonard-743335.jpg Painting ID:: 33775 |
mk86 c.1770-1772 Oil on canvas 110x120cm Paris,Muss National du Louvre | ||
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TRAVERSI, Gaspare
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| Italian Painter, ca.1722-1770 Italian painter. He was apprenticed to the elderly Francesco Solimena, whose late style, a reinterpretation of the Baroque art of Mattia Preti, influenced his earliest works. At the same time he studied the naturalist painters of the 17th century: Preti himself, Giovanni Battista Caracciolo, Jusepe de Ribera, Filippo Vitale and Francesco Fracanzano. Classical art also attracted him, and in the 1740s he began to make journeys to Rome to study the influential works of Bolognese and Roman classicism: paintings by Guido Reni, Guercino and the Carracci family, and by Carlo Maratti. During one of these visits he copied two pictures by Maratti, then in S Isidoro, Rome: the Flagellation and a Crucifixion . In the following year he was in Naples; three canvases of scenes from the Life of the Virgin (Naples, S Maria dell'Aiuto), one of which is signed and dated 1749 | ||||
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The Music Lesson new16/TRAVERSI, Gaspare-664962.jpg Painting ID:: 40563 |
mk156 c.1750 Oil on canvas 152x204.6cm | ||
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Lord Frederic Leighton
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| British 1830-1896 Lord Frederic Leighton Locations | ||||
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the music lesson new20/Lord Frederic Leighton-629478.jpg Painting ID:: 56291 |
mk247 1877,oil on canvas,36x37 in,92.8x95.3 cm,guildhall art gallery,london,uk | ||
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